Sara Highbury, the manager of a Cape Town, South Africa boarding house, lives her life in the past. She is haunted by a man named Herbert Wakeford, the love of her life who suffered from a degenerative brain condition. One day not long after Herbert's death, another of Sara's lovers, Amin Hafferjee, pays her an unexpected visit, and Sara proceeds to tell him her life's story.
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Every once in a while you come across a small gem of a novel, a novella really, that just captivates you: Rebecca West's The Return of the Soldier comes to mind or Chingiz Aïtmatov's Jamilia. They draw you in, mesmerize you a little and, before you realize it, you're on the last page. Milena Agus' From the Land of the Moon is just such a book.
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In the beginning was nothing, and this nothing had neither form nor substance—it was nothing other than what it was. So begins this autobiographical novel of the author's first three years of life, which was originally published as "Métaphysique des Tubes" ("The Metaphysics of Tubes") in 2000, and released in English translation with a far less apt title two years later.
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The ghosts of Kamalini Sengupta's Rajmahal fret and fume over renovations made to the Calcutta mansion as it is sold and divided into six apartments. Even more disturbing is the motley cross-section of fashionable Calcutta society that moves into those apartments.
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Most people would consider Lebanon the last place on earth they want to be; then there are those who yearn to be there and nowhere else in the world. Layla, Margo and Kamal are three such souls, fiercely drawn to the city of Beirut with all its dreams and shadows.
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