1956: Amara, a young Italian journalist, is sent to report on the growing political divide between East and West in post-war central Europe. She also has a more personal mission: to find out what happened to Emanuele, her soul mate from before the war when both were children in Florence. Emanuele and his family were Jews transported by the Nazis from wartime Vienna, but not before he had sent Amara a long series of letters she still carries with her. Her quest now takes her on long train journeys. She visits the holocaust museum at Auschwitz, and Budapest, where she is caught up in the tumultuous events of the October rising against the Soviet Union. Amara is helped by chance travel companions, notably Hans, part Austrian and half-Jewish, who works as a surrogate father at weddings for brides orphaned in the war, and Hovath, an elderly Hungarian captured by the Russians after forced service with the German army outside Stalingrad in 1942. Along the way she meets many other survivors, each with their own story to tell, and ponders the troubled existence of her own parents in the oppressive world of Mussolini's Italy. But did Emanuele survive the war or, like so many other Viennese Jews, did he die in Auschwitz or a ghetto in Poland?

It was in June 1916 that Princess Vittoria Colonna met the Futurist painter Umberto Boccioni. The love affair between them was brief but intense: on August 17th Boccioni died following a fall from his horse. The last letter he received from Vittoria was found in his wallet. This is the story of a Roman princess, a major twentieth-century artist, unbridled passion, the First World War and a tragic accident. It offers a collection of letters hidden for almost a century—all that remains of the relationship between a restless noblewoman and a tormented painter. Their letters provide the basis for the story Marella Caracciolo Chia tells, not only the story of a great love, but also the portrait of a remote and fascinating world and time.

In a French courtroom, the trial of a woman is taking place. Gladys Eysenach is no longer young, but she is still beautiful, elegant, cold. She is accused of shooting dead her much-younger lover. As the witnesses take the stand and the case unfolds, Gladys relives fragments of her past: her childhood, her absent father, her marriage, her turbulent relationship with her daughter, her decline, and then the final irrevocable act. With the depth of insight and pitiless compassion we have come to expect from the author of Suite Française, Irene Nemirovsky shows us the soul of a desperate woman obsessed with her lost youth.

In the winter of 1991, at a concert in Krakow, an older woman with a marvellously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin...Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel's former identity as a crafter of fine violins is revealed to all. The camp's two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure. Written with lyrical simplicity and haunting beauty and interspersed with chilling, actual Nazi documentation, "The Auschwitz Violin" is more than just a novel: it is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.