This is an archived issue of Belletrista. If you are looking for the current issue, you can find it here |
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TRIO! Ceri Evans discusses three books by Egyptian author Ahdaf Soueif.
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"Seven Little Rooms" - original fiction by notable Hindi author Mridula Garg.
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Who Has the Power? Reading Arab Women in English by M. Lynx Qualey
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Reviews
Click on 'Reviews' to see the full list of this issue's reviews...
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INFINITY IN THE PALM OF HER HAND
Gioconda Belli
Translated from the Spanish by Sayers Peden
I love retellings of popular stories (fairy tales, the King Arthur legend, fables), love venturing into familiar territory in an unfamiliar way, seeing how an author can give a voice to characters previously on the sidelines. In Infinity in the Palm of Her Hand, Gioconda Belli tackles the story of Adam and Eve…
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Reviewing by Caitlin Fehir
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THURSDAY NIGHT WIDOWS
Claudia Piñeiro
Translated from the Portuguese by Miranda France
Claudia Piñeiro's Thursday Night Widows presents itself as a thriller. Yet even though in the opening we have three dead bodies in a pool and are promised an investigation of how they came to be there, this novel has more in common with Camus, or with DeLillo, than with a standard thriller. The bodies remain decaying…
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Reviewed by Andrew Stancek
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THE LINE
Olga Gruskin
Once there was a line. It was a line leading to a kiosk. What was being sold in the kiosk, nobody knew. But those who stood in line lived in hope that the reward for their waiting would be something interesting or useful. The kiosk was almost always shut with signs saying, "Gone to the parade" or "Closed for accounting. Be back on Monday" or "Out with the flu. Will reopen in January."
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Reviewed by Jane Anderson Jones
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THAT MAD ACHE
Françoise Sagan
Translated from the French by Douglas Hofstadter
That Mad Ache takes us to glamorous 1960s Paris, a world of money, parties and passions. Lucile, a restless young woman, lives with her older, rich lover Charles. They enjoy a tranquil relationship, he responding to her frequent whims as one might indulge a child. . .
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Reviewed by Charlotte Simpson
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