This is an archived issue of Belletrista. If you are looking for the current issue, you can find it here |
![Belletrista - A site promoting translated women authored literature from around the world](images/core/belletrista_final_title.gif) |
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TRIO! Ceri Evans discusses three books by Egyptian author Ahdaf Soueif.
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"Seven Little Rooms" - original fiction by notable Hindi author Mridula Garg.
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Who Has the Power? Reading Arab Women in English by M. Lynx Qualey
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Reviews
Click on 'Reviews' to see the full list of this issue's reviews...
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ZIG ZAG THROUGH THE BITTER ORANGE TREES
Ersi Sotiropoulos
Translated from the Greek by Peter Green
To pick up Zigzag is to be plunged into an initially unsettling world of changing narrators and fragmented narrative—yet I immediately wanted to know more about this world and its characters. Greek literature it may be, but this is post-modern Greek literature; no heroes here. . .
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Reviewed by Rachel Hayes
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THE CONFESSIONS OF NOA WEBER
Gail Hareven
Translated from the Hebrew by Dalya Bilu
If you expect fiction to have plot, then this award-winning novel by Israeli author Gail Hareven is probably not the book for you! However, if you wish to experience living in someone else's head, reading The Confessions of Noa Weber will offer you very rare insights into …
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Reviewed by Dorothy Dudek Vinicombe
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ALL THE LIVING
C. E. Morgan
This debut novel introduces a young author with an extraordinary command of the pen. C. E. Morgan's finely crafted prose draws one into present-day Kentucky with its sweltering, breezeless days, where twenty-year-old Aloma has come to live with her lover, Orren.
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Reviewed by Akeela Gaibie-Dawood
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ANITYA: HALFWAY TO NOWHERE
Mridula Garg
Translated from the Hindi by Seema Segal
If you have ever had the the niggling feeling that there is something swimming under your feet in a lake, only to look underwater to see an enormous fish keeping its eye on you, you'll understand the feeling I kept having while reading Anitya, Halfway to Nowhere. I couldn't shake the sense that. . .
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Reviewed by Tui Menzies
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