If Sons, Then Heirs sheds light on a uniquely American, largely untold story of African American land ownership, the outmigration from the South, racial violence, and the consequences of past decisions on present realities.

After World War II, Needham family members migrated north to Philadelphia from South Carolina, leaving behind the tragic injustice surrounding the violent death of their patriarch, King. His devoted widow, Selma, remains on the old home place. Over the years, she raises King’s children, including his great-grandson, Rayne, on whom falls the responsibility to bring the family together to save the family land and mend the rift between him and his mother. Rayne and the other vividly drawn characters face challenges big and small that mirror the experiences of families everywhere. But in the masterful storytelling of Lorene Cary, so distinct and unique are their voices that they will live in the minds of readers long after the last page is read. is a tour de force that explores the power of family secrets, bonds, and love. This gripping novel is certain to be on the must-read lists of all who enjoy brilliantly rendered stories of family, love, and American history.

Twenty-eight years ago, Peter and Yvonne honeymooned in the beautiful coastal village of Datça, Turkey. Now Yvonne is a widow, her twin children grown. Hoping to immerse herself in memories of a happier time—as well as sand and sea—Yvonne returns to Datça. But her plans for a restorative week in Turkey are quickly complicated. Instead of comforting her, her memories begin to trouble her. Her vacation rental's landlord and his bold, intriguing wife—who share a curious marital arrangement—become constant uninvited visitors, in and out of the house.

Overwhelmed by the past and unexpectedly dislocated by the environment, Yvonne clings to a newfound friendship with Ahmet, a local boy who makes his living as a shell collector. With Ahmet as her guide, Yvonne gains new insight into the lives of her own adult children, and she finally begins to enjoy the shimmering sea and relaxed pace of the Turkish coast. But a devastating accident upends her delicate peace and throws her life into chaos—and her sense of self into turmoil.

With the crystalline voice and psychological nuance for which her work has been so celebrated, Vendela Vida has crafted another unforgettable heroine in a stunningly beautiful and mysterious landscape.

Estranged for years from her difficult and demanding relatives, Sheila McGann has remained close to her older brother Art, the popular, dynamic pastor of a large suburban parish. When Art finds himself at the center of the maelstrom, Sheila returns to Boston, ready to fight for him and his reputation. What she discovers is more complicated than she imagined. Her strict, lace-curtain-Irish mother is living in a state of angry denial. Sheila's younger brother Mike, to her horror, has already convicted his brother in his heart. But most disturbing of all is Art himself, who persistently dodges Sheila's questions and refuses to defend himself.

As the scandal forces long-buried secrets to surface, Faith explores the corrosive consequences of one family's history of silence—and the resilience its members ultimately find in forgiveness. Throughout, Haigh demonstrates how the truth can shatter our deepest beliefs—and restore them. A gripping, suspenseful tale of one woman's quest for the truth, Faith is a haunting meditation on loyalty and family, doubt and belief. Elegantly crafted, sharply observed, this is Jennifer Haigh's most ambitious novel to date.

When Hurricane Katrina hits New Orleans, chef and widower Simon Fortier knows how he plans to face the storm--riding it out inside his long-time home in the city's Treme neighborhood, just as he has through so many storms before. But when the levees break and the city is torn apart, Simon disappears. His son, Julian, a celebrated jazz trumpeter, rushes home to a New Orleans he left years before to search for his father. As Julian crisscrosses the city, fearing the worst, he reconnects with Sylvia, Simon’s companion of many years; Parmenter, his father's erstwhile business partner and one of the most successful restaurateurs in New Orleans; and Velmyra, the woman Julian left behind when he moved to New York. Julian’s search for Simon deepens as he finds himself drawn into the troubled history of Silver Creek, the extravagantly beautiful piece of land where his father grew up, and closer once again to Velmyra. As he tries to come to grips with his father's likely fate, Julian slowly gains a deeper, richer understanding of his father and the city he loved so much, while unraveling the mysteries of Silver Creek.

The Astral is a huge rose-colored old pile of an apart­ment building in the gentrifying neighborhood of Greenpoint, Brooklyn. For decades it was the happy home (or so he thought) of the poet Harry Quirk and his wife, Luz, a nurse, and of their two children: Karina, now a fer­vent freegan, and Hector, now in the clutches of a cultish Christian community. But Luz has found (and destroyed) some poems of Harry's that ignite her long-simmering sus­picions of infidelity, and he’s been summarily kicked out. He now has to reckon with the consequence of his literary, marital, financial, and parental failures (and perhaps oth­ers) and find his way forward—and back into Luz's good graces.

Harry Quirk is, in short, a loser, living small and low in the water. But touched by Kate Christensen's novelistic grace and acute perception, his floundering attempts to reach higher ground and forge a new life for himself become funny, bittersweet, and terrifically moving. She knows what secrets lurk in the hearts of men—and she turns them into literary art of the highest order.

Twenty-one years ago, diplomat Angela Morgan witnessed the death of her husband during the bombing of the U.S. Embassy in Beirut. Devastated by her loss, she fled back to America, where she hid in the backwaters of the State Department and avoided the high-profile postings that would advance her career. Now, with that career about to dead-end and no true connections at home, she must take the one assignment available—at a remote British army outpost in northern Afghanistan. Unwelcome among the soldiers and unaccepted by the local government and warlords, Angela has to fight to earn the respect of her colleagues, especially the enigmatic Mark Davies, a British major who is by turns her staunchest ally and her fiercest critic. Frustrated at her inability to contribute to the nation's reconstruction, Angela slips out of camp disguised in a burka to provide aid to the refugees in the war-torn region. She becomes their farishta, or "angel," in the local Dari language—and discovers a new purpose for her life, a way to finally put her grief behind her.

Drawing on the experiences of the author as a diplomat in Afghanistan, Farishta is a deeply moving and fast-paced story of a woman struggling to move beyond a past trauma, and finding a new community, a new love, and a new sense of self in the process.

It is 1968. Lynnie, a young white woman with a developmental disability, and Homan, an African American deaf man, are locked away in an institution, the School for the Incurable and Feebleminded, and have been left to languish, forgotten. Deeply in love, they escape, and find refuge in the farmhouse of Martha, a retired schoolteacher and widow. But the couple is not alone-Lynnie has just given birth to a baby girl. When the authorities catch up to them that same night, Homan escapes into the darkness, and Lynnie is caught. But before she is forced back into the institution, she whispers two words to Martha: "Hide her." And so begins the 40-year epic journey of Lynnie, Homan, Martha, and baby Julia—lives divided by seemingly insurmountable obstacles, yet drawn together by a secret pact and extraordinary love. "Simon, who grew up with a developmentally disabled sister, has written an enormously affecting read, and provided sensitive insight into a complex world often dismissed by the 'abled.'" —Publishers Weekly

After her life as she knows it ends in heartbreak, Mary Rasmussen, a strong-willed and independent young ranch woman living in the Sandhills of western Nebraska, suddenly feels that everything she has believed in—God, her instincts, the land itself—has failed her. She abandons her cultural and emotional ties, succumbing to circumstances she thinks she is powerless to control. In a rash decision, she marries a conservative, patriarchal preacher who doesn’t understand her, the ranching community, or anything beyond his own beliefs. Mary’s inner turmoil builds as she comes to appreciate the gravity of her situation and the need to take action.

"Stark and engrossing, this debut novel …fixes an empathetic but relentless gaze on a woman determined to expunge the regrets from her life… An immersing achievement, this novel should please any fan of good fiction." —Publishers Weekly

Yasmine Beverly Rana's The War Zone Is My Bed and Other Plays follows journeys of spiritual destruction and redemption from the banks of the Mississippi River and the fallen levees of New Orleans to the conflict-ravaged streets of Sarajevo and Kabul. The characters in Rana's politically charged and moving plays attempt to seek and sustain love in violent circumstances.

In the title play, The War Zone Is My Bed, a prostitute from Kabul and a journalist from Bosnia stumble through a maze of brutality to find solace within each other. In Blood Sky a traumatic event is triggered by a mysterious, animalistic call. Also collected here are Returning, in which a photographer from Sarajevo is torn between his role as an artist and victim of war and Paradise, where, as the Mississippi River rises, two lovers who are also illegal immigrants, debate whether they should stay in New Orleans and risk their lives or flee—and, thereby reveal their illegal status.

Thompson brings together all of her talents to deliver the career-defining novel her admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century. It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.

Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.