In Blueprints for Building Better Girls, Schappell's first work of fiction since her celebrated debut Use Me— a finalist for the PEN/Hemingway award, and a Los Angeles Times Best Book of the Year—she delves into the lives of an eclectic cast of archetypal female characters, including the high school slut, the party girl, the reluctant mother, and the anorexic daughter, twisting our pre-conceived notions of who these women are, as they make unexpected and wonderful visits to each other's stories.

Elissa Schappell writes the Hot Type column for Vanity Fair, is a founding editor of the literary magazine Tin House, and co-edited The Friend That Got Away. She has been a senior editor at The Paris Review and has contributed to numerous other magazines.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family—motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce—pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.

Sandra Novack has earned great acclaim with her short fiction, which has appeared in more than thirty literary venues, including The Gettysburg Review, Gulf Coast, and The Iowa Review. Now, in this new collection of stories, she further demonstrates her mastery of the form while exploring a universal theme: the desire for connection.

Fierce, sexual, and contentious, these moving tales place Sandra Novack's prodigious talent on full display. Everyone but You illuminates the common truths behind some of the most profound moments in our lives.

Hannah Payne's life has been devoted to church and family, but after her arrest, she awakens to a nightmare: she is lying on a table in a bare room, covered only by a paper gown, with cameras broadcasting her every move to millions at home, for whom observing new Chromes—criminals whose skin color has been genetically altered to match the class of their crime—is a new and sinister form of entertainment. Hannah is a Red; her crime is murder. The victim, according to the State of Texas, was her unborn child, and Hannah is determined to protect the identity of the father, a public figure with whom she's shared a fierce and forbidden love.

When She Woke is a fable about a stigmatized woman struggling to navigate an America of a not-too-distant future—where the line between church and state has been eradicated and convicted felons are no longer imprisoned and rehabilitated but chromed and released back into the population to survive as best they can. In seeking a path to safety in an alien and hostile world, Hannah unknowingly embarks on a path of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rệves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.

True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.

Throughout Lily Tuck's career, she's been praised by critics for her crisp, lean language and sensuous explorations of exotic locales and complex psychologies. From Siam to Paraguay and beyond, Tuck inspires readers to travel into unfamiliar realms, and her newest novel is no exception. Slender, potent, and utterly engaging, I Married You For Happiness combines marriage, mathematics, and the probability of an afterlife to create Tuck's most affecting and riveting book yet.

"His hand is growing cold, still she holds it" is how this novel that tells the story of a marriage begins. The tale unfolds over a single night as Nina sits at the bedside of her husband, Philip, whose sudden and unexpected death is the reason for her lonely vigil. Still too shocked to grieve, she lets herself remember the defining moments of their long union, beginning with their meeting in Paris. She is an artist, he a highly accomplished mathematician—a collision of two different worlds that merged to form an intricate and passionate love. As we move through select memories—real and imagined—Tuck reveals the most private intimacies, dark secrets, and overwhelming joys that defined Nina and Philip's life together.

In an age of reality TV, a husband and wife cling to Victorian notions of privacy, though doing so threatens the life of the wife. Their daughter Anna yearns for her mother's unguarded affection, and eventually learns there is value in restraint. But Anna, a Caribbean American immigrant, finds that lesson harder to accept when, eager to assimilate in her new country, she discovers that a gap yawns between her and American-born citizens. The head of a specialized imprint at a major publishing house, Anna is soon challenged for her position by an ambitious upstart who accuses her of not really understanding American culture, particularly African American culture. Her job at stake, Anna turns for advice to her boyfriend Paul, a Caribbean American himself, who attempts to convince her that immigrants must accept limitations on their freedom in America.

Told in spare and transcendent prose, Boundaries is a riveting immigrant story, a fascinating look into the world of contemporary book publishing, a beautiful extension of the exploration of family dynamics that began in Nunez's previous novel Anna In-Between, and a heartwarming love story.

Nineteen-year-old Kate Brady joined the army to bring honor to her family and democracy to the Middle East. Instead, she finds herself in a forgotten corner of the Iraq desert in 2003, guarding a makeshift American prison. There, Kate meets Naema Jassim, an Iraqi medical student whose father and little brother have been detained in the camp.Kate and Naema promise to help each other, but the war soon strains their intentions. Like any soldier, Kate must face the daily threats of combat duty, but as a woman, she is in equal danger from the predatory men in her unit. Naema suffers bombs, starvation, and the loss of her home and family. As the two women struggle to survive and hold on to the people they love, each comes to have a drastic and unforeseeable effect on the other's life.

Culled from real life stories of female soldiers and Iraqis, Sand Queen offers a story of hope, courage and struggle from the rare perspective of women at war.

Sisters Lark and Clef have spent their lives honing their bodies for sleight, an interdisciplinary art form that combines elements of dance, architecture, acrobatics, and spoken word. After being estranged for several years, the sisters are reunited by a deceptive and ambitious sleight troupe director named West who needs the sisters' opposing approaches to the form—Lark is tormented and fragile, but a prodigy; Clef is driven to excel, but lacks the spark of artistic genius. When a disturbing mass murder makes national headlines, West seizes on the event as inspiration for his new performance, one that threatens to destroy the very artists performing it. In language that is at once unsettling and hypnotic, Sleight explores ideas of performance, gender, and family to ask the question: what is the role of art in the face of unthinkable tragedy?

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.