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US author Sigrid Nunez discusses her new novel with Joyce Nickel
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TRIO: Three remarkable works by Kamila Shamsie by Caitlin Fehir
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Belletrista turns one! A brief retrospective and a look ahead
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Reviews
Click on 'Reviews' to see the full list of this issue's reviews...
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LOVE, ANGER, MADNESS: A HAITIAN TRIPTYCH
Marie Vieux-Chavet
Translated from the French by Rose-Myriam Rejouis and Val Vinokur
I have read several books by Haitian writers. None of them could be described as happy. Marie Vieux-Chauvet's 1967 trio of novellas (individually titled Love, Anger and Madness) is possibly the least happy of all of them. It may also be the best.
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Reviewed by Andy Barnes
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THE WIVES OF HENRY OADES
Johanna Moran
I am sure that for most of us, one beloved husband or wife is more than sufficient! In Part One of this novel, as Henry Oades sets sail halfway across the world to New Zealand in the 1890s with his young wife Margaret and their two children, one beloved wife is all he has ever wanted.
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Reviewed by Ceri Evans
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TO HELL WITH CRONJÉ
Ingrid Winterbach
Translated from the Afrikaans by Elsa Silke
To Hell With Cronjé is Ingrid Winterbach's literary examination of one of the turning points of South African history: the Second Boer War of 1899‒1902. The wars between Britain and the fledgling, and doomed, Boer nation have been largely ignored in English language literature …
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Reviewed by Andy Barnes
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HORSE, FLOWER, BIRD
Kate Bernheimer
If you think that Twilight was the best book since The Da Vinci Code, then Horse, Flower, Bird is probably not the book for you. But if you're the sort of person who enjoys listening to curious music on late night FM radio, prefers films that were not made in Hollywood to those that were, and likes to drive different routes home just because …
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Reviewed by Joyce Nickel
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2017: A NOVEL
Olga Slavnikova
Translated from the Russian by Marian Schwartz
If Olga Slavnikova's novel, 2017, is any indication, the near-future of post-Soviet Russia—and the world in general—looks pretty grim on a variety of fronts, in large part because people of the techno-boom have lost touch with their own history and culture.
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Reviewed by Jean Raber
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