With the collapse of the Soviet Union and the rise of free speech (and publishing), Russian women have become a force in the world of letters. Whereas in the past they were known chiefly as literary widows or devoted wives, occasionally as poets or critics, and only very rarely as novelists, today they are beginning to dominate publishing lists in fiction and non-fiction alike. Nine includes three internationally known names—Ludmila Petrushevskaya, Ludmila Ulitskaya, and Svetlana Alexiyevich—as well as half a dozen other respected women authors appearing here for the first time in English.

On Christmas Eve, a girl stalks an older man through wintery city streets, haunted by their shared past…In a remote woodland cottage, an eccentric explains to his granddaughter why he shoots cats whenever they make themselves too comfortable… In a checkout queue, a woman suddenly shows charity to a penniless guy she apparently doesn't know … The characters in Mirja Unge's debut collection are all, in their own way, evading something; whether failing to confront the true nature of an encounter, or avoiding responsibilities as a parent, sibling or friend. Abuse, betrayal and neglect lurk beneath a veneer of mutually maintained 'normality', waiting for an opportunity to resurface. Told, in most cases, through the eyes of teenage girls or young women, these stories exhibit a unique prose style that perfectly captures the conversational rhythms, and preoccupations, of their generation. Unge's soft, winding syntax ushers the reader across the surface of each encounter at an unalterable pace—like the ever-betraying passage of time—whilst deftly hinting at the violence beneath.

Nina Borg, a Red Cross nurse, wife, and mother of two, is a compulsive do-gooder who can't say no when someone asks for help—even when she knows better. When her estranged friend Karin leaves her a key to a public locker in the Copenhagen train station, Nina gets suckered into her most dangerous project yet. Inside the locker is a suitcase, and inside the suitcase is a three-year-old boy: naked and drugged, but alive. Is the boy a victim of child trafficking? Can he be turned over to authorities, or will they only return him to whoever sold him? When Karin is discovered brutally murdered, Nina realizes that her life and the boy's are in jeopardy, too. In an increasingly desperate trek across Denmark, Nina tries to figure out who the boy is, where he belongs, and who exactly is trying to hunt him down. Read our review of this book in this issue.

For her graduation from high school in 1920, Frankie Pratt receives a scrapbook and her father's old Corona typewriter. Despite Frankie's dreams of becoming a writer, she must forgo a college scholarship to help her widowed mother. But when a mysterious Captain James sweeps her off her feet, her mother finds a way to protect Frankie from the less-than-noble intentions of her unsuitable beau. Through a kaleidoscopic array of vintage postcards, letters, magazine ads, ticket stubs, catalog pages, fabric swatches, candy wrappers, fashion spreads, menus, and more, we meet and follow Frankie on her journey in search of success and love. Once at Vassar, Frankie crosses paths with intellectuals and writers, among them "Vincent" (alumna Edna St. Vincent Millay), who encourages Frankie to move to Greenwich Village and pursue her writing. When heartbreak finds her in New York, she sets off for Paris aboard the S.S. Mauritania, where she keeps company with two exiled Russian princes and a "spinster adventuress" who is paying her way across the Atlantic with her unused trousseau. In Paris, Frankie takes a garret apartment above Shakespeare & Company, the hub of expat life, only to have a certain ne'er-do-well captain from her past reappear. But when a family crisis compels Frankie to return to her small New England hometown, she finds exactly what she had been looking for all along.

In the middle of a rainy Swedish summer, a little girl is abducted from a crowded train. Despite hundreds of potential witnesses, no one noticed when the girl was taken. Her mother, left behind at the previous station, alerted the crew immediately. But as the train pulled into Stockholm Central Station, the girl was nowhere to be seen. To Inspector Alex Recht of the Stockholm police, this looks like a classic custody row. But none of the evidence adds up and young Investigative Analyst Fredrika Bergman is convinced the case is far more complex than her boss is prepared to admit. So when the missing child is found dead in the far north of Sweden, with the word UNWANTED scribbled on her forehead, the rule book is finally thrown out of the window. Now on the trail of a ruthless murderer with a terrifying agenda, will Alex and Fredrika manage to put aside their differences and work together to find the killer, before it's too late?