Tsukiko, thirty-eight, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei" in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is thirty years her senior, retired, and presumably a widower. Their relationship–traced by Kawakami's gentle hints at the changing seasons–develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to an enjoyable sense of companionship, and finally into a deeply sentimental love affair.

As Tsukiko and Sensei grow to know and love one another, time's passing comes across through the seasons and the food and beverages they consume together. From warm sake to chilled beer, from the buds on the trees to the blooming of the cherry blossoms, the reader is enveloped by a keen sense of pathos and both characters' keen loneliness.

Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present. In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter.

In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.

December 1937. The Japanese have taken Nanking. A group of terrified schoolgirls hides in the compound of an American church. Among them is Shujuan, through whose thirteen-year-old eyes we witness the shocking events that follow. Run by Father Engelmann, an American priest who has been in China for many years, the church is supposedly neutral ground in the war between China and Japan. But it becomes clear the Japanese are not obeying international rules of engagement. As they pour through the streets of Nanking, raping and pillaging the civilian population, the girls are in increasing danger. And their safety is further compromised when prostitutes from the nearby brothel climb over the wall into the compound seeking refuge.

Short, powerful, vivid, this beautiful novel transports the reader to 1930s China. Full of wonderful characters, from the austere priest to the irreverent prostitutes, it is a story about how war upsets all prejudices and how love can flourish amidst death.

Geling Yan is an award-winning Chinese novelist and screenwriter. Born in Shanghai, she published her first novel in 1985. Since then she has written numerous short stories, essays, scripts and novels including, in English, The Uninvited and The Lost Daughter of Happiness. Several of Geling Yan's works have been adapted for the screen, the latest being The Flowers of War which has been filmed by acclaimed Chinese director Zhang Yimou and stars Christian Bale. Geling Yan divides her time between Berlin and China.