Elise loves the farm that is her home; she loves playing with beetles and chameleons in the garden, buying sweets from the village shop and listening to the stories of spirits and charms told by her nanny, Beauty. As a young white girl in 1990s Zimbabwe, her life is idyllic. Her clothes are always clean and ironed, there is always tea in the silver teapot, gin and tonics are served on the veranda, and, in theory at least, black and white live in harmony.

However this dream-world of her childhood cannot last. As Elise gets older, her eyes are opened to the complexities of adult existence, both through the changes wrought in her family by the arrival of her step-father Steve, and through her growing understanding of the tensions in Zimbabwean society. As Mugabe's presidency turns sour, the privileged world of the white farmers begins to crumble into anarchy.

The Cry of the Go-Away Bird follows Elise as she attempts to make sense of her place in the world while her family struggle to stay afloat in the collapsing economy and escalating horror that surrounds them. As the violence intensifies and the farm invasions begin, Elise and her family are forced to confront difficult choices and the ancient unforgiving ghosts of the past.

Andrea Eames was brought up in Zimbabwe, where she attended a Jewish school for six years, a Hindu school for one, a Catholic convent school for two and a half, and then the American International School in Harare for two years. Andrea's family moved to New Zealand in 2002. Andrea has worked as a bookseller and editor and lives in Christchurch with her husband. The Cry of the Go-Away Bird is her first novel.

The stories in her new book engage and reel in the reader on that 'thin line' from the start. The carefully drawn characters are haunting: Corinna trapped in her huge teenage body, Cleo in love with a married man after all these years, and poor skinny Mark, as he sees his love teeter away from him.'Ten Minutes to Hate' tells of an armed robbery in a packed theatre, and its effect, emotionally and psychologically, on two of the people involved. 'Collage' is the story of a possessive love so fierce, that only death can resolve it. Searingly honest, sometimes painfully so.

South African author, poet and journalist, Arja Salafranca, has twice won the Sanlam Literary Award in her country. Her publications include two collections of poetry, A Life Stripped of Illusions and The Fire in which we Burn and an anthology of prose and poetry, glass jars among trees, which she edited with Alan Finlay. Her fiction has been widely published in local and international journals and anthologies, and online. She currently is the lifestyle and arts editor at The Sunday Independent.