Lena Meydan's novel Twilight Forever Rising (originally titled Blood Brothers in Russian, perhaps changed in translation to capitalize on the Twilight phenomenon)—the first installment of a best-selling fantasy series in Russia—depicts a world in which humans unknowingly coexist with vampires who are the real forces behind politics, art, and war.
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Ana María Shua's Death as a Side Effect is a perfectly pitched, darkly comic satire, set in a dystopian near-future Argentina. Politicians perform comedy routines on television, the streets are no-go areas, infested with gangs of marauding vandals, and neighbours are strangers, drowning out evidence of each others' presences with blaring music.
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The Saga of Gösta Berling moves freely from lyrical celebrations of nature to harshly realistic descriptions of industry, and on into the realms of folklore and fairytale. Were the book published today, we might …
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Revenge, they say, is a dish best served cold. But is it revenge if the act stays forever secret? Can the avenger ever find satisfaction knowing she must spend the rest of her life married to her wrongdoer? For Jhumur, the highly educated, once independent woman of Taslima Nasrin's Revenge, silent vengeance is the only option.
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The South American historical fiction that I have read tends to focus on the battles between the European powers for control of the continent. The large populations of indigenous Americans and imported slaves have been conspicuous by their absence, although themes …
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