In her seventh novel, Sanctuary Line, acclaimed Canadian writer Jane Urquhart returns to her familiar themes of transience and memory. As with her earlier works, Urquhart's prose sparkles on the page to create an atmospheric, dreamlike book that at the same time conveys a sense of verisimilitude to actual lives.
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The interesting point about most of the stories in Karen Joy Fowler's superb new collection is what doesn't matter in them. Most feature some element of the fantastic, which typically would be their point. But here, the fantastic element or idea is always less interesting than Fowler's character or milieu.
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Maike Wetzel has begun to garner considerable attention in her native Germany and beyond, but, at present, her published prose consists of just two short story collections, with the promise of a novel in the pipeline. Long Days is the first of Wetzel's works to be translated into English, and it has left me breathlessly waiting for more.
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Elise Blazek is the core of Irena's life. Yes, Irena has a husband, Stepan, but when not at work, he's busy tinkering on a model of Karlstein Castle, a remnant of his memories of Plzen, Czechoslovakia, his childhood home.
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As readers, we crave a story whose content and execution work together seamlessly to draw us in. Yet we don't always get all we want, and the question arises: when all is said and done, what tips the balance and makes us glad we have read a book?
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