Elise Blazek is the core of Irena's life. Yes, Irena has a husband, Stepan, but when not at work, he's busy tinkering on a model of Karlstein Castle, a remnant of his memories of Plzen, Czechoslovakia, his childhood home.
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As readers, we crave a story whose content and execution work together seamlessly to draw us in. Yet we don't always get all we want, and the question arises: when all is said and done, what tips the balance and makes us glad we have read a book?
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Hong Kong in the cyclone season: intense humidity; wooded mountains stretching steeply upwards, encircling the harbour, shrouded in a grey soupy mist; star ferries and sampans anchored in the stormy waters. Stepping onto land …
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The interesting point about most of the stories in Karen Joy Fowler's superb new collection is what doesn't matter in them. Most feature some element of the fantastic, which typically would be their point. But here, the fantastic element or idea is always less interesting than Fowler's character or milieu.
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In her seventh novel, Sanctuary Line, acclaimed Canadian writer Jane Urquhart returns to her familiar themes of transience and memory. As with her earlier works, Urquhart's prose sparkles on the page to create an atmospheric, dreamlike book that at the same time conveys a sense of verisimilitude to actual lives.
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